She was a geisha for Nothing Really Matters in 1999, lycra-clad in 2006 for Hung Up and presided over 33 marriages in 2014, but there’s a sense that this year’s Madonna Grammy performance is the one that has to stick. It’s unclear which aspect of the campaign for new album Rebel Heart has been more damaging; the endless leaks or the Instagram naivety. While the release of six songs last December hasn’t exactly set the charts alight (they’ve only sold 131,000 downloads in America so far), Madonna’s at her best with her back to the wall so hopefully we’ll see controlled rebelliousness, tabloid-baiting controversy and a liberal smattering of unnecessary hashtags.
2. Sam Smith will lead a British invasion
Tom Petty fan Sam Smith’s polite ballads have dominated the charts on both sides of the Atlantic and the feeling is his current chart momentum (his album’s been in the US top 10 for 32 weeks) could see him clean up in the six categories he’s nominated in. Certainly odds are in his favourto walk away with best new artist (over fellow Brits Bastille), and despite the presence of Beyoncé – more of whom later – it would be a shock if the generally risk-averse voting panel didn’t award In The Lonely Hour album of the year. Other Brits in with a shout include stand-in Radiohead alt-j for best alternative music album; Ed Sheeran; and Arctic Monkeys.
3. Could the Iggy Azalea backlash harm her chances?
4. The duets should offer a chance for a loo break
Forcing artists together for one night of musical experimentation has become an award show staple and the Grammys are no exception. Who could forget Usher and Celine Dion doing unspeakable things to Michael Jackson’s Earth Song in 2010? For reasons people with fully functioning ears are still investigating, this year finds former Voice UK co-workers Jessie J and Tom Jones uniting to, I assume, over-sing each other into oblivion. Other random pairings include Annie Lennox with Hozier, Beck with Chris Martin, Gwen Stefani with Adam Levine and Lady Gaga with Tony Bennett, the latter of course having taken the art of unnecessary pairings to a whole new level. There’s also a trio – Rihanna, Kanye West and Paul McCartney playing snoozy new single FourFiveSeconds.
5. It’s crunch time for Lady Gaga’s jazz odyssey
6. Sia could steal the whole night
Singer, songwriter and sudden recluse Sia announced she was performing at the Grammys in a very Sia way. Continuing the theme for her 1000 Forms Of Fear album campaign, the announcement was made on Ellen from under an ill-fitting blonde wig while standing in a box that covered her from the neck down. This melding of the surreal with the mainstream sums up Sia’s last 12 months, her videos for Chandelier and Elastic Heart encasing massive pop songs in thought-provoking imagery. Nominated for four awards – including record and song of the Year for Chandelier – Sia could well be the surprise highlight, especially if she can pull off a performance as spellbinding as this.
7. It’s Max Martin’s time to shine
Given that he’s co-written and co-produced 19 US No 1 singles, it’s odd that Swedish pop overlord Max Martin has never previously been nominated for Producer of the Year. This year he’s honoured for his work on albums by warbling mini-Mariah Ariana Grande and Katy Perry, as well as Taylor’s Shake It Off and collaboration pile-up Bang Bang by Jessie J, Grande and Nicki Minaj. In other words, the majority of pop’s biggest songs of the last 12 months. Basically he has to win or I’m launching a Facebook campaign.
8. Will Katy Perry ever win a Grammy?
9. Beyoncé may have peaked too soon
10. Taylor Swift will rule the 2016 Grammys
With her album 1989 – almost 6m global sales and counting – released too late to be eligible for this year’s awards, it feels like Taylor’s three nominations for Shake It Off this year are a mere prelude for the dominance that should take place in February 2016. This was all but confirmed when she announced she wouldn’t be performing this year. With 1989 boasting two US No 1 singles already and having spent 10 weeks topping the album charts, it feels like the campaign is only just getting started. Expect Taylor’s acceptance speeches this year – should she get to make any – to feature a very knowing sense of “This is nothing, just you wait until next year when I’m clumsily holding 10 gold gramophones while trying not to drop one.”