1. Madonna has to be the talking point for the right
reasons
She was a geisha for Nothing Really Matters in 1999, lycra-clad in 2006 for
Hung Up and presided over 33 marriages in 2014, but there’s a sense that this
year’s Madonna Grammy performance is the one that has to stick. It’s unclear
which aspect of the campaign for new album Rebel Heart has been more damaging;
the endless leaks or the Instagram naivety. While the release of six songs last
December hasn’t exactly set the charts alight (they’ve only sold 131,000
downloads in America so far), Madonna’s at her best with her back to the wall so
hopefully we’ll see controlled rebelliousness, tabloid-baiting controversy and a
liberal smattering of unnecessary hashtags.
2. Sam Smith will lead a British invasion
Tom Petty fan Sam Smith’s polite ballads have dominated the charts on both
sides of the Atlantic and the feeling is his current chart momentum (his album’s
been in the US top 10 for 32 weeks) could see him clean up in the six categories
he’s nominated in. Certainly odds are in his favourto walk away with best new
artist (over fellow Brits Bastille), and despite the presence of Beyoncé – more
of whom later – it would be a shock if the generally risk-averse voting panel
didn’t award In The Lonely Hour album of the year. Other Brits in with a shout
include stand-in Radiohead alt-j for best alternative music album; Ed Sheeran;
and Arctic Monkeys.
3. Could the Iggy Azalea backlash harm her chances?
The success or otherwise of another Brit, Charli XCX, could depend on whether
the backlash against Australian rapper Iggy Azalea manifests itself in the
voting, with their collaboration Fancy up for two awards alongside Iggy’s nods
for best new artist and best rap album. In a recent article detailing their
Grammy predictions, Stereogum suggested Iggy was a favourite for the latter,
before sarcastically adding, “OK, Eminem has a chance too because white people
have really taken this hip-hop thing to a new level.” Expect Kendrick Lamar’s
disappointing i single to win big by way of recompense for Macklemore and Ryan
Lewis beating his Good Kid, M.A.A.D City to the rap album honour last
year.
4. The duets should offer a chance for a loo break
Forcing artists together for one night of musical experimentation has become
an award show staple and the Grammys are no exception. Who could forget Usher
and Celine Dion doing unspeakable things to Michael Jackson’s Earth Song in
2010? For reasons people with fully functioning ears are still investigating,
this year finds former Voice UK co-workers Jessie J and Tom Jones uniting to, I
assume, over-sing each other into oblivion. Other random pairings include Annie
Lennox with Hozier, Beck with Chris Martin, Gwen Stefani with Adam Levine and
Lady Gaga with Tony Bennett, the latter of course having taken the art of
unnecessary pairings to a whole new level. There’s also a trio – Rihanna, Kanye
West and Paul McCartney playing snoozy new single FourFiveSeconds.
5. It’s crunch time for Lady Gaga’s jazz odyssey
During the release of Lady Gaga and Tony Bennett’s Cheek to Cheek last
September, Gaga retweeted every positive review, referring to each journalist as
a “music connoisseur”. Nominated for best traditional pop vocal album, a gong
Bennett has won 11 times already, you sense a win for Gaga would mean more than
any of the five Grammys she’s won to date. Nothing adds an authentic seal of
approval to a leftfield career move following an under-performing album than a
Grammy, and a win could help her move on from needlessly trying to prove she’s
more than a great pop star. Either that or she’ll see it as one big thumbs up
and we’ll get Cheek to Cheek volume 2 faster than you can say Michael Bublé.
6. Sia could steal the whole night
Singer, songwriter and sudden recluse Sia announced she was performing at the
Grammys in a very Sia way. Continuing the theme for her 1000 Forms Of Fear album
campaign, the announcement was made on Ellen from under an ill-fitting blonde
wig while standing in a box that covered her from the neck down. This melding of
the surreal with the mainstream sums up Sia’s last 12 months, her videos for
Chandelier and Elastic Heart encasing massive pop songs in thought-provoking
imagery. Nominated for four awards – including record and song of the Year for
Chandelier – Sia could well be the surprise highlight, especially if she can
pull off a performance as spellbinding as this.
7. It’s Max Martin’s time to shine
Given that he’s co-written and co-produced 19 US No 1 singles, it’s odd that
Swedish pop overlord Max Martin has never previously been nominated for Producer
of the Year. This year he’s honoured for his work on albums by warbling
mini-Mariah Ariana Grande and Katy Perry, as well as Taylor’s Shake It Off and
collaboration pile-up Bang Bang by Jessie J, Grande and Nicki Minaj. In other
words, the majority of pop’s biggest songs of the last 12 months. Basically he
has to win or I’m launching a Facebook campaign.
8. Will Katy Perry ever win a Grammy?
Despite five MTV VMA awards, six Billboard Music Awards and a Brit, Katy
Perry has left the Grammys empty-handed every year since 2009. Nominated 13
times – including the two this year for best vocal pop album for Prism and best
pop duo/group performance for Dark Horse – Perry wouldn’t exactly be paranoid in
thinking there’s some sort of vendetta against her, especially when you consider
2011’s Teenage Dream equalled Michael Jackson’s record for most No 1 singles
from one album – five made the top slot. Maybe, a bit like Martin Scorsese and
the Oscars, Perry will finally nab a Grammy when she least deserves it – in
other words, for Dark Horse.
9. Beyoncé may have peaked too soon
Performing at last year’s ceremony just three months after she shock-released
her album, Beyoncé had every right to feel smug. The album had shifted over a
million copies in under two weeks and its release strategy was being heralded as
some sort of new dawn for pop royalty. You can’t help but feel, however, that
she’d be disappointed that the album’s momentum has all but disappeared, and so
while she’ll probably clean up in the R&B categories, her inclusion in the
best surround sound album category probably doesn’t make up for being snubbed
for both song and record of the year. Mind you, she already has 17 Grammy-shaped
bookends so chances are she’ll get over it.
10. Taylor Swift will rule the 2016 Grammys
With her album 1989 – almost 6m global sales and counting – released too late
to be eligible for this year’s awards, it feels like Taylor’s three nominations
for Shake It Off this year are a mere prelude for the dominance that should take
place in February 2016. This was all but confirmed when she announced she
wouldn’t be performing this year. With 1989 boasting two US No 1 singles already
and having spent 10 weeks topping the album charts, it feels like the campaign
is only just getting started. Expect Taylor’s acceptance speeches this year –
should she get to make any – to feature a very knowing sense of “This is
nothing, just you wait until next year when I’m clumsily holding 10 gold
gramophones while trying not to drop one.”